Glamb Rocker Steve Presbyterian RIP

13 06 2020

Fans of bacofoil flares, giant glittery platform boots and 70s glam rock in general are mourning the recent passing of Steve Priest, flamboyant bass guitarist of The Sweet.

Sadly the demise the same day of his Leodhasach cousin Steve Presbyterian went largely unreported, despite the latter’s major contribution to Stornoway’s own “Glamb Rock” scene in the early 70s.

Steve Presbyterian was a member of The Suet, who were one of the leading lights of Glamb Rock in the town. Along with his bandmates Braighe-Iain Connelly – vocals and precenting, Tick Mucker – drums and Antaidh Sgòthach – lead accordion, they were perhaps the very epitome of Stornowegian Glamb and had legions of fans (5 blones from Manor Park). 

Incidentally, Braighe-Iain Connelly  was the brother of well known actor Marag McManse, who was most famed for playing gritty Stornoway cop Blaggart, (“Thurrsh being a Murrr-do”).

After playing in all the village halls round Lewis in the late 60’s, The Suet took their first steps to megastardom when they met two local aspiring songwritrers, called Niccy Gym and Mike Crapman, in the Neptune Bar in 1971. The two songwriters told them that they had written loads of catchy tunes and just needed a band who could play their instruments to record them. Originally the idea was that all the songs would be about different cuts of lamb, as Gym and CrapMan were hoping to get sponsorship from local butchers.

Glamb Rock took over the Isle of Lewis. Everyone wanted to be part of it, and it was not uncommon to see local worthies staggering out of the Star Inn and the Opera House with glitter in their hair and star shaped tarasgiers under their arms. Even the local Ministers wanted in on the act and many a Church Service was taken by an androgynous figure in 2 foot platform Arnish Boots and flared dog collars.  

Local mainstream acts like The Lochies and Calum Kennedy also went through a Glamb phase –  The Lochies with spangly capes on their boilersuits and Calum with his flared kilt. 

The Suet had hit after hit during that period (3 copies sold in DD Morrisons).  The first songs to make an impression (in keeping with the lamb theme) were ‘Poppa Ewe’, ‘Little WillieJohnTheButcher’ and ‘Wig Wam Ram’. These were soon followed by their first Number One chart topper, ‘Flock Rustler’.

‘Hell Saver’ (an attempt to get sponsorship from the FP’s), ‘Co?Co?’ ‘Balallan Loom Blitz’ and ‘Teenage Ram Page’ continued their run of massive hits. 

Sadly, in-fighting and addiction issues began to appear amongst the band and the quality of the songs started to decline. They still had some chart success with ‘Cnocs on the Run’ and ‘Love is Like Naughty Sin’ (another ill fated attempt to get sponsorship from a local church, this time ‘the Continuing’) but they soon no longer had legions of fans (5 blones from Manor Park) chasing them round Bayhead Swing Park.

Despite their pop chart success and their teeny-bop fan base, Presbyterian and the rest of The Suet were talented musicians who could outplay “serious” bands like Sheep Purple.  They eventually got tired of being a singles act and went off to make a critically acclaimed album of proper hard rock – ‘Suet Fanky Amadans’. Nobody bought it at the time but it was highly influential on later bands such as Guns n Keoses and Maw-tallica.

Soon after their decline, the Suet split and went their separate ways, with all four members having their own version of the band at different times. 

Other Glamb Bands

  • Spade- ‘Curam Feel The Noise’, ‘Coz I Luv Ewez’, 
  • Murd – Also from the Niccy Gym/Mike Crapman stable, Murd had a string of hits including  ‘Tigh-fhaire Feet’, ‘ChirstyAlonelythisXmas, ‘Murdyna-mite’, ‘(Al) Crae-zy’ and  ‘The Cearc Crept In’
  • Alvdust StarInn- ‘My Cù ca Choo’
  • Cockle Ebb-ney Rebel – ‘Come Up and Shear Me (Make Me Textile)’
  • PilotWhale – ‘Oh oh oh it’s Marag’
  • Shawbostwaddywaddy – ‘Under the Moor Of Love’
  • Calan Bowie- ‘Aladdin Coulregrein’ 
  • Laxay Music – Fronted by suave lounge lizard MacBryayne Ferry (“more grease than the galley of the Suilven”), Laxay Music had big hits with ‘Levacur Is The Drug’ and ‘Vir-J&E’s Plain (Loaf)’ 
  • Molt the Strupag- ‘Roll Away Thon Ollac’
  • Kenny (Fags) with his big hits ‘The Dump’ and ‘Heart of Stoneyfield’
  • Spaircs – ‘This Town Ain’t Small Enough For A Bothan Nis’ / ‘This Town Ain’t Big Enough for an M&S’, ‘Amadan Hour’.
  • Sailor(sLoft) -’Glass of Coulregrein’
  • Suzi Quatrionnach – ’48 Crans’, ‘Devil Skate (Portrona)drive’
  • Wizzaird -’Seceders My Baby Chive’  ‘I Wish It Could be Communions Everyday’
  • Marag Bolallan & T. Rubhax : ‘Telegram Psalm’ ‘Sheepster’, ‘Get it Tong’, ‘We Love To Bogie’

Of course, Glamb Rock didn’t have a complete monopoly of Stornoway’s pop charts at the time. Then as now, there were plenty manufactured teen idols peddling middle-of-the road ruppish, such as:

  • The Rubha Bets – ‘Shulishader Baby Love’
  • David Castlebay-’Flock Me Baby’
  • The Bayhead City Rollers – ‘Shank-a-Lamb’
  • The CailleochBossmonds – a clean-cut Seceder family from South Lochs, including Donny & Màiri (‘Pabbay Love’) and the dreaded Little Chimmy (‘Long Haired Lover from Ullapool’).

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